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Sandro Botticelli Madonna of the Rose Garden or Madonna and Child with St john the Baptist (mk36) oil painting


Madonna of the Rose Garden or Madonna and Child with St john the Baptist (mk36)
Painting ID::  24970
Sandro Botticelli
Madonna of the Rose Garden or Madonna and Child with St john the Baptist (mk36)
1468 Paris,Musee du Louvre

   
   
     

Sandro Botticelli Piero del Pollaiolo Justice (mk36) oil painting


Piero del Pollaiolo Justice (mk36)
Painting ID::  24971
Sandro Botticelli
Piero del Pollaiolo Justice (mk36)
c.1470 Florence ,Galleria degli Uffizi

   
   
     

Sandro Botticelli Piero del Pollaiolo (mk36) oil painting


Piero del Pollaiolo (mk36)
Painting ID::  24972
Sandro Botticelli
Piero del Pollaiolo (mk36)
c.1470 Florence,Galleria DEGLI uFFZI

   
   
     

Sandro Botticelli Piero del Pollaiolo Hope (mk36) oil painting


Piero del Pollaiolo Hope (mk36)
Painting ID::  24973
Sandro Botticelli
Piero del Pollaiolo Hope (mk36)
c.1470 Florence,Galleria degli Uffizi

   
   
     

Sandro Botticelli Piero del Pollaiolo Faith (mk36) oil painting


Piero del Pollaiolo Faith (mk36)
Painting ID::  24974
Sandro Botticelli
Piero del Pollaiolo Faith (mk36)
c.1470 Florence,Galleria degli Uffizi

   
   
     

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     Sandro Botticelli
     Italian Early Renaissance Painter, 1445-1510 Italian painter and draughtsman. In his lifetime he was one of the most esteemed painters in Italy, enjoying the patronage of the leading families of Florence, in particular the Medici and their banking clients. He was summoned to take part in the decoration of the Sistine Chapel in Rome, was highly commended by diplomatic agents to Ludovico Sforza in Milan and Isabella d Este in Mantua and also received enthusiastic praise from the famous mathematician Luca Pacioli and the humanist poet Ugolino Verino. By the time of his death, however, Botticelli s reputation was already waning. He was overshadowed first by the advent of what Vasari called the maniera devota, a new style by Perugino, Francesco Francia and the young Raphael, whose new and humanly affective sentiment, infused atmospheric effects and sweet colourism took Italy by storm; he was then eclipsed with the establishment immediately afterwards of the High Renaissance style, which Vasari called the modern manner, in the paintings of Michelangelo and the mature works of Raphael in the Vatican. From that time his name virtually disappeared until the reassessment of his reputation that gathered momentum in the 1890s

     Related Artists::.
     | Carl Reichert | Pieter de Grebber | Ernst Ludwig Kirchner |


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